Thursday, December 30, 2010

Week Twelve: Bad Science by Ben Goldacre


Bad Science is a book I struggled with because of it's structure and style, certainly not because of it's content. I would recommend every parent with the ability to actually read more than just a headline, to read the chapter on the MMR hoax (that's the accusation that the Measles, Mumps and Rubella shot caused Autism in some cases - which is baseless) and despair at the state of the media.

The information is fascinating, but Ben does belabour points, repeat himself, is endlessly sarcastic and bitter (for good reasons you understand by the end) and refers to things before you've been given any information on them. That makes it hard to read. But it should be read, because it's so much information that we need to know, the information that headlines, press releases and statistics (manipulated ones) does not afford the reader.

Big Pharmaceutical is evil, this we know alongside the incompetence of almost any complex organisations (government, media, hospitals et al...). Things we did not know abound in the book. The expert behind that MRSA scandal was unaccredited, inexperienced and runing his laboratory in a garden shed. No one could replicate his results, but he was paid and lauded by people who should have known better.

Last book of 2010 - something a little more light-hearted for 2011 next, maybe.

We'll see.

Sunday, December 26, 2010

Week Eleven: Metamorphosis by Franz Kafka


Metamorphosis by Kafka is one of those books everyone refers to at some point. Like Ulyssess by James Joyce which I will have to squeeze in during this year at some point.

Often quoted as a template for the surreal, I found this very easy to read, follow and understand. The meaning is obviously interpretable many ways and the only surreal element is the metamorphosis itself for the main character. The transformations the other characters go through are all very pedestrian and understandable - if a little disconcerting. Whatever allegorical conclusion you wish to draw the overall concept is simple.

Someone changes, people around don't like it, the person becomes septic and people adjust and then are relieved when it's all over. Obviously parallels with aging, maturing, illness, disability abound but it is a template for mishandling change and in the case of the parents and sister - some of the worst elements of cruelty by trying to help but being self centered with your altruism.

Well that's what I thought anyway. Possibly much better in the native German which is a much more functional language than English which has more subtlety and less specificity (in so many words anyway). Thanks to Newby whom I borrowed this book from approx 2 years ago (hence my list of books I should get to).

An interesting and easy enough read (posted this late but finished it mid last week across 2 days and started on the next one).

Next week Bad Science by Ben Goldacre.

Saturday, December 18, 2010

Week Ten: Pirate Latitudes by Michael Crichton


Pirate Latitudes by Michael Crichton is a posthumously published novel. Apparently it was found completed in his estate. I'd argue against the completed part though. There was a complete plot, and it had all the earmarks of something waiting to be adapted into a blockbuster film as well, but it read full of cliche, cheap characters and cardboard cutout villains. Critics of Crichton will probably point to this as evidence that he was actually the author, but he's done better. I suspect that perhaps several more rewrites would have happened at some point if he had taken it to publication while alive.

In short this is an adventure story, heavy on cliched character and light on historical accuracy. It reads like a movie plot, with obvious villains and betrayals a-plenty. The basics are that the hero of the piece straddles the fine line between hero and villain, pirate and privateer, us vs them. Essentially to be on the side of the king, you could do know wrong unless you made the mistake of getting caught. To be on the side of the Spanish you were basically a pirate and cared not for the pleasantries of good behaviour etc. So it progresses as a lesson in 17th century seafaring racism with murder, politics, rape and prostitution all taking abundant time in the spotlight.

Unlike modern settings for novels, the crimes and attitudes are not judged or condemned, they just are. No commentary though leaves the reader with an uneasy feeling that the author either did not care or wanted to redress them via inattention. Somehow that approach seems too subtle for the broad brush the book is painted in.

A ripping yarn I guess, probably make a good movie with some re-writes and post-modern American moralising thrown in for good measure.

Next Week: Metamorphosis by Franz Kafka
(one of those books I always wanted to read )

Saturday, December 11, 2010

Week Nine: Flashforward by Robert J. Sawyer




Week Nine: Flashforward

The book written waaaaay before the TV series, came, rated poorly and then died.

Is a good read, without all the action, conspiracy and melodrama that marked the TV show as the new "LOST" that was not. This was actually a pretty easy read, though not light by any means. It tackled the nature of God (that's two books now) and religion, destiny and quantum mechanics.

But in a more simple way tackled humanity. Lloyd Simcoe and Theo (unpronounceable Greek name) and the love triangle played out over decades. It's a complicated book in many ways, not just because it segues all over the show, but also because it forms several distinct parts that play like their own mini-novel. The experiment and the aftermath. The murder trying to be prevented. The coming of the future. The next big glimpse of nothing and a very quick trip down immortality lane.

Enjoyable, little bit of closure on the show in that it closes a few chapters and makes the additionals suddenly seem less important.

Saturday, December 4, 2010

Week Eight: How To Design A Chair



How to Design a Chair - the Design Museum.

By sheer unadulterated coincidence, Max bought a book by the same author as one of my previous reviews (see The Language of Things - Deyan Sudjic). Though in this case he's the editor and creator, but this appears to be more of a collaborative effort by the Design Museum, of which he is the Curator.

A curious book, it's not really "how to" design it yourself, so much as "how did" others actually work and what they were influenced by. The back story of the chair and why certain types and materials were used were fascinating. The history of Chippendale and other designers is equally interesting even though I could not have imagined it prior to reading this.

Just when you've had enough of the why and history, the modern age creeps up and Bauhaus and Starck raise their ubiquitous designer heads into the picture and then the intricacy of the design process becomes more transparent as the designers and the designs are still around. And they can spout all the existential quandaries that so often anthropomorphise their work.

And when that gets too arty and subjective, and a little hard to swallow, we follow the cradle to grave design and deploy of the Myto chair by Grcic, and that is the most curiously engaging piece of the book. There's a lot of thought and work going into the design of the chair, there's always more than you know of course. In this case 6 months working on the colour dyes other than black, white and grey, because the 120 degree heat made the dyes spot except in certain colour frequency or mixes.

Plenty of pictures too, a good look at how a chair is designed, and made and appreciated. But not really a How To.